Kickstarter Campaign for a New Web Design for Smokelong Quarterly

DIRECT LINK TO SMOKELONG AT KICKSTARTER to find out the prizes at each level!

We publish cutting-edge flash fiction, and we need a web site that shows it off. Help bring our online presence into the next decade!

Hey, did you know SmokeLong Quarterly started publishing flash fiction in 2003?

Did you also know we haven’t had a major web site redesign since then?

Let’s take a look at how far the world has come since then. In 2003 when we started publishing:

  • MySpace was just beginning (launched August 2003)
  • Wikipedia was two years old
  • There was no Facebook, You Tube, or Twitter
  • Reuben Studdard beat Clay Aiken on American Idol
  • The Department of Homeland Security began operation
  • Lance Armstrong was still a hero
  • We only had five of the Harry Potter books
  • Apple introduced the iTunes download store

The world has changed. Dramatically. And now it’s SLQ’s turn. We need a makeover. And we need your help to do it.

SLQ’s first cover, 2003:

And SLQ today:

A new web design will showcase our writers and artists in a new and exciting way.

It will make publishing stories faster and more efficient, leaving us more time to market, promote, and think of other ways to conquer the world with great literature.

Currently it takes us an average of 40 minutes to post a weekly story, and each quarterly issue takes more than 20 hours to produce. With a new web site, we can more than cut that time in half. Tara’s pinched nerve will send you a personal thank you note for that!!!

We want you to be able to read us on your commute!

We want to make it easy to read SmokeLong on any device–laptop, e-reader, cell phone. Have you tried to read our content on your phone with our current site? Go ahead. Try it now. We’ll wait.

See? We told you.

We’re like your old reliable friend who’s had one too many drinks and needs a lift home at 2 a.m.

In the last 11 years, we have published hundreds of authors and artists, both well-established and emerging, and have hosted the Kathy Fish Fellowship, which has supported five writers-in-residence since 2007. And we have NEVER charged our writers for submitting, NEVER charged contest fees for our contests, and ALWAYS kept our submissions open 24/7, 365 days a year.

The minimum raised for this campaign will help support the initial redesign costs for the web site. If that goal is met and funds exceed our minimum, we will be able to do much more. Below are our goal levels for all the fun stuff we’d like to achieve!

Goal Levels:

$3000 [LOCKED--Minimum]–We will be able to redesign the SLQ web site.

$4000 [LOCKED]–We can even pay something to the wonderful wonderful web developer who is currently working pro bono because he loves us..

$5000 [LOCKED]– We will offer the Kathy Fish Fellowship and writer-in-residence (a $500 reward) to one writer in 2015-16.

$6000 [LOCKED] — We will pay all of the writers we publish in 2015 $25 per story.

Please help us continue to publish the best flash fiction on the planet!

We are a labor of love. All of the funds raised will go directly back to SmokeLong production and promotion, contest prizes, and other initiatives.

And remember: Funds pledged to a Kickstarter project are not deducted until the project is complete. No funds go to the project unless the entire amount is raised, so if you pledge $$ and we don’t hit our goal, you don’t ever pay it out. Kickstarter crowdfunding projects must make 100% of the money needed for a project.

Risks and challengesLearn about accountability on Kickstarter

 DIRECT LINK TO SMOKELONG AT KICKSTARTER.

We are hoping to have our redesign completed by the December 2014 quarterly issue, however that deadline depends on the web designer we end up hiring and the ultimate timeline of the process.

If the redesign gets delayed for any reason we will contact all our backers and contributors.

All other goal levels we unlock will be worked on during 2014 and you will begin to see results as soon as we can get them. Updates on our progress will be posted on our web site, blog, and social media sites. Please feel free to contact us at any time with questions or concerns.

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This Week’s Guest Reader: Ken Budd

KEN_5About:

Ken Budd is the author of The Voluntourist—A Six-Country Tale of Love, Loss, Fatherhood, Fate and Singing Bon Jovi in Bethlehem (William Morrow). The memoir won silver in the 2013 Nautilus Book Awards and 2012 North American Travel Journalist Association Awards; an adaptation for Huffington Post received gold from NATJA in 2014. Ken has written for such publications as The New York Times, The Washington Post, Smithsonian, and McSweeney’s. He is the former executive editor of AARP The Magazine; his work was nominated for a National Magazine Award in 2005. Ken is donating his earnings from The Voluntourist to the places where he volunteered.  His essay about  his experiences in Kenya and criticism of voluntourism recently won gold in the Society of American Travel Writers’ Lowell Thomas awards. His web site is TheVoluntouristBook.com and you can connect with him on Facebook and Twitter.

 

Samples of his work:

Special Needs,” an award-winning adaptation of Ken’s memoir, The Voluntourist

Nike Infant and Toddler Scouting Report,” from McSweeneys.net

Diary of a Student at Patrick Henry College, the Nation’s First College for Home School Students, Which Offers a Major in Only One Subject: Government,” from McSweeneys.net

Excerpt from The Voluntourist

Two Flashes he admires:

The Worst Shark Attack Ever,” by Trevor Houser

Little Girls,” by Tara Laskowski

 

Dealbreakers:

My tastes lean toward black comedies, but I’m open to anything (I’m the only man in America who read Eat, Pray, Love). I’m a magazine editor by day, and I see a lot of flabby writing that’s loaded with junk, from bland verbs to clichés. So I’m looking for lively writing and surprising stories that hook me from the opening sentence.

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This Week’s Reader: Ethel Rohan

Ethel RohanAbout:

Ethel Rohan’s latest work is or will be included in Whatever Doesn’t Kill You (Shebooks, 2014); The Lineup: 25 Provocative Women Writers (Black Lawrence Press, 2014); Drivel: Deliciously Bad Writing by Your Favorite Authors (Penguin: Perigree, 2014); and Flash Fiction International Anthology (W.W. Norton, 2015).

One of her flashes at Tin House Online:

“Keepsake”

A flash she really likes:

“Poolside” by Emma Törzs

A message from Ethel:

I’m excited to read again for the stellar Smokelong Quarterly, one of my favorite magazines. Please send only your best work. Drafts will lose me as a reader, as will work that doesn’t make me feel something. In flash, conciseness and preciseness are vital. Be exact. Give us only juice and heart. Make us care.

 

 

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This Week’s Reader: Mark Cugini

10389021_10100138946512558_8198262460812876888_nAbout:

Mark Cugini is the author of I’m Just Happy To Be Here (Ink Press 2014) and the Managing Editor of Big Lucks Books. His work has appeared or is forthcoming in Pinwheel, Sink Review, Hobart, Barrelhouse, BOAAT, and numerous other publications. On July 20th, 2014, he became the #1 ranked player of Kim Kardashian: Hollywood.

 

Sample of his work:

This insane thing, I guess.

 

Short he really liked recently:

This thing from Dolan Morgan.

 

Deal breaker:

Or deal “maker.” (I’d prefer to leave the breakers by the beach):  I need fluidity. I need impact. I need a sense of astonishment. I need to feel alive and horrified. I need to feel like I’m going to die if I don’t read the damn thing in front of me. I need immediacy, immediacy, immediacy.

 

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Nick Sansone Wins Brattleboro Literary Festival Contest

100MEDIA_IMAG1059-1We are excited to announce that Nick Sansone is the winner of the Brattleboro Literary Festival Flash Fiction Contest, hosted by SmokeLong Quarterly. Nick’s story “Any Other Name” was chosen by judge Pamela Painter as the winner of the contest. The story will appear in the September issue of SmokeLong Quarterly (Issue 45) and Nick is invited to read at the Brattleboro Literary Festival’s flash fiction reading on October 4 in Brattleboro, VT, along with Pamela Painter, Tara Laskowski, Jeffrey Friedman, Leslie Jamison, Ann Hood and Tim Horvath.

He will also receive a copy of SmokeLong Quarterly: The Best of the First Ten Years.

Nick Sansone received his MFA from Emerson College. His stories have appeared or are forthcoming in Gargoyle, the Los Angeles Review, the Minnesota Review, and elsewhere. He lives in Massachusetts.

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This Week’s Reader: Matthew Brennan

Matthew+Brennan+Headshot+2014About:
Matthew Brennan is a writer, editor, translator, and blogger from the Pacific Northwest. His fiction has earned a variety of awards and fellowships, and more than sixty of his short stories and literary translations have appeared in journals such as SmokeLong Quarterly, Emerge Literary Journal, The Citron Review, The Los Angeles Review, Two Lines, and Superstition Review. He earned his MFA in fiction from Arizona State University. Online, Matthew can be found at matthewbrennan.net or @MatthewBrennan7.
 
What Matthew is looking for:
What I’m looking for in flash is world-building and nuance. The best flash will do a little of both for me. Here are links to two of my stories that are examples of each: 
World-building: “The Fire Keeper” (page 23)
Nuance: “The Water Is Wide
A deal-breaker:
 A boring first sentence or an unearned twist or surprise ending.
 
 
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This Week’s Reader–An Tran

antranbioshot2About:
An Tran’s fiction and non-fiction has appeared or is forthcoming in the Southern Humanities Review, Gargoyle Magazine, the Carolina Quarterly, the Good Men Project, and Eclectica Magazine, among others, and has received a “Notable” distinction from the Best American series. He is an MFA candidate at Queens University of Charlotte and lives in Arlington, VA.
One of An’s stories:
And a flash he really enjoys:
Some thoughts on flash fiction:
I think the magic of flash fiction is the ability to say, in very few lines, something large, expansive, universal. By the end of a piece, each sentence comes alive in a new way like cells in mitosis, a multitude of meanings splitting from single strings of sound. The narrative momentum is found in the spaces adjacent to the words themselves; the story itself is stillness. A flat piece of flash fiction might move within the text, but has neglected the form’s power to manipulate space and time around it.
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